Directed by Brad Rondeau Show Dates: June 8, 9 and 10, 2018
Join us this Summer in the Pinckney Town Square for our next adventure in the world of William Shakespeare.
CONGRATULATIONS to our wonderful cast!!!
Olivia - Danielle Henry Duke Orsino - Rick Staton Viola - PJ Sallans Sebastian - Aaron Haack Lady Belch - Gillian Blazkowski Lady Andrew - Dana Blazkowski Fabia - Alyssa Friday Maria - Elizabeth Kingsley Feste (Clown) - Gabrielle Theis Marvolio - Brad Rondeau Antonia - Belle Howard Captain (Midshipmen) - Jimmy Wirt Curia - Pat Corr Valentina - Kate Murphy Priest - Karl Blazkowski 1st Officer (Pirate) - Christine Schoendorff 2nd Officer (Pirate) - Stephanie Heslip Servant - Karly Blazkowski
“If music be the food of love play on”!. That is the opening line to this topsy turvy play by William Shakespeare, “Twelfth Night”. "Twelfth Night" is a reference to the twelfth night after Christmas Day, called the Eve of the Feast of Epiphany. It was originally a Catholic holiday and therefore, like other Christian feast days, an occasion for revelry. Servants often dressed up as their masters, men as women and so forth. This history of festive ritual and Carnivalesque reversal, based on the ancient Roman festival of Saturnalia at the same time of year (characterized by drunken revelry and inversion of the social order; masters became slaves for a day, and vice versa), is the cultural origin of the play's gender confusion-driven plot. The actual Elizabethan festival of Twelfth Night would involve the antics of a Lord of Misrule, who before leaving his temporary position of authority, would call for entertainment, songs and mummery; the play has been regarded as preserving this festive and traditional atmosphere of licensed disorder. This leads to the general inversion of the order of things, most notably gender roles.
Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a Captain. She has lost contact with her twin brother, Sebastian, whom she believes to be drowned. With the aid of the Captain, she disguises herself as a young man under the name Cesario and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother. She refuses to see entertainments, be in the company of men, or accept love or marriage proposals from anyone, the Duke included, until seven years have passed. Duke Orsino then uses 'Cesario' as an intermediary to profess his passionate love before Olivia. Olivia, however, falls in love with 'Cesario', setting her at odds with her professed duty. In the meantime, Viola has fallen in love with the Duke Orsino, creating a love triangle among Duke Orsino, Olivia and Viola: Viola loves Duke Orsino, Duke Orsino loves Olivia, and Olivia loves Viola disguised as Cesario. In the comic subplot, several characters conspire to make Olivia's pompous steward, Malvolio, believe that Olivia has fallen for him. This involves Olivia's riotous uncle, Sir Toby Belch; another would-be suitor, a silly squire named Sir Andrew Aguecheek; her servants Maria and Fabian; and her melancholy fool, Feste. Sir Toby and Sir Andrew engage themselves in drinking and revelry, thus disturbing the peace of Olivia's household until late into the night, prompting Malvolio to chastise them. Sir Toby famously retorts, "Dost thou think, because thou art virtuous, there shall be no more cakes and ale?" (Act II, Scene III). Sir Toby, Sir Andrew, and Maria plan revenge on Malvolio. They convince Malvolio that Olivia is secretly in love with him by planting a love letter, written by Maria in Olivia's handwriting. It asks Malvolio to wear yellow stockings cross-gartered, to be rude to the rest of the servants, and to smile constantly in the presence of Olivia. Malvolio finds the letter and reacts in surprised delight. He starts acting out the contents of the letter to show Olivia his positive response. Olivia is shocked by the changes in Malvolio and leaves him to the contrivances of his tormentors. Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity, both disguised as a priest and as himself. Meanwhile, Viola's twin, Sebastian, has been rescued by Antonio, a sea captain who previously fought against Orsino yet who accompanies Sebastian to Illyria, despite the danger, because of their friendship. Sebastian's appearance adds the confusion of mistaken identities to the comedy. Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Finally, when 'Cesario' and Sebastian appear in the presence of both Olivia and Orsino, there is more wonder and confusion at their physical similarity. At this point, Viola reveals her identity and is reunited with her twin brother. The play ends in a declaration of marriage between Duke Orsino and Viola, and it is learned that Sir Toby has married Maria. Malvolio swears revenge on his tormentors and stalks off, but Orsino sends Fabian to placate him.
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